Various projects and contributions


Contributed original audio material to the installation and film ALMA MATER by the artists Aljaž Celarc and Eva Pavlič Seifert known as P L A T E AU R E S I D U E.

Performed the live electronics part of Pierre Boulez’s composition Anthèmes II with violinist Tor Johan Bøen at Ilios festival in Harstad.

Performed the live electronics part of Mauro Lanza’s composition The 1987 Max Headroom Broadcast Incident with Cikada String Quartet at Only Connect festival in Oslo.

Produced the First Recovery EP by Martin Skjold.


Made and performed with acoustic sound design tools for the project Sang, stepp og samtidsdans with Ingeleiv Berstad, Janne Eraker and Kristine Karåla Øren.

Participated in the residency program Summer Sessions at V2_ Lab for Unstable Media in Rotterdam, sponsored by PNEK.

Produced the album Kvasimaskin by Kvasimaskin.

Contributed some sounds to the installation Dei gøymde historiane by Gyrid Nordal Kaldestad.

Mastered the EP Blått Hus by Per Anders Store.

Mastered the soundtrack for the game Agents vs. Villain by Process Games.


Contributed some audio and audio solutions to the stage art piece Her by Erik Dælhin and Silje Aker Johnsen.

Played the city hall bell tower in Oslo for the piece THE OTHEROOM by Rolf Wallin and Field works at the opening of Ultima Oslo Contemporary Music Festival.

Designed the technical solution for Anders Førisdal’s sound installation Galaxe based on the music of Bjørn Fongaard.

Mastered the soundtrack for the game Booooo! by Process Games.


Became a performer and technician with the dance compay Ostwald/Uvaas, for performing the interactive installation Korp, korp.

Designed technical solutions for playing Popular Contexts, Volume 8 by Matthew Schlomowitz, for post-percussionist Håkon Stene.

Designed technical solutions for playing Willibald Motor Landscapes by Øyvind Torvund, for asamisimasa.


Became workshop holder in the project Ultima Remake for Ultima Oslo Contemporary Music Festival, working with high school students and remaking works from the festival. Active every year until 2018.

Formed the electronic act Eyes Like Two Dying Suns, later This Machine is Recording with Lars Erik Sparby, releasing the albums Tanz Tenebrous and Autometatron.


Did several solo and collaborative performances (Alex Gunia, Kristin Bolstad, Anders Tveit) as part of the artistic research project 300 acting spaces in Oslo.

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